Book review: If I Could Say Goodbye

As always, many thanks to Net Galley and Hachette UK for providing me with an advanced copy of this book in exchange for an honest review. If I Could Say Goodbye is available for pre order via Waterstones and Amazon.

Synopsis from Goodreads

A heart-warming and uplifting story about love, loss and finding the strength to say goodbye, from the author of The First Time I Saw You.

Jennifer Jones’ life began when her little sister, Kerry, was born. So when her sister dies in a tragic accident, nothing seems to make sense any more.

Despite the support of her husband, Ed, and their wonderful children, Jen can’t comprehend why she is still here, while bright, spirited Kerry is not.

When Jen starts to lose herself in her memories of Kerry, she doesn’t realise that the closer she feels to Kerry, the further she gets from her family.

Jen was never able to say goodbye to her sister. But what if she could?

Would you risk everything if you had the chance to say goodbye?

Publication date: September 17, 2020

Genres: Fiction, modern/contemporary

Rating: 3 out of 5.

Jennifer Jones was always a faithful, older sister to Kerry. However, when Kerry dies in a sudden accident, her whole world turns upside down. Despite having the support of her devoted husband, Edward, and her two children, Jennifer struggles to come to terms with the sudden loss of her sister. She turns her grief inwards, blaming herself for Kerry’s death and wishing the accident had taken her life, instead of her sister’s.

If I Could Say Goodbye, is an honest portrayal of the many facets of grief and it’s reverberating impact on one family. It explores grief openly and honestly, and for that alone it deserves praise. Jennifer becomes so consumed by the memories of her sister, that her mind convinces her she is still there. Kerry is reborn in her imagination and experience of grief as she loses herself in memories of the past.

Grief is something we all experience at some points in our lives, but obviously in many different ways. Emma Cooper manages to explore how Kerry’s death takes a drastic toll on Jennifer’s mental health, from her feelings of guilt, responsibility and regret that follow in the wake of Kerry’s death. Jen finds herself talking to her sister more than her own family. This experience of Kerry being somewhat alive in her imagination, serves as a comfort to Jen in some ways, but ultimately, she realises the need to say goodbye is what will set her free.

“I turn my back on the sea and the cliff, on the grief and guilt that I’ve been drowning in, and break into a run: my life is about to begin again.”

This is a refreshing and realistic portrayal of grief told through Jennifer and her husband, Edward. In having this alternative perspective, Cooper conveys how grief can have a snowballing affect on the ones we love. Ed has to pick up the pieces of their life together, as he struggles to maintain their relationship and family. Jennifer’s family and her children become more distant as her experience of grief consumes her in more ways than one. Intertwined within this exploration of grief is a tale of love, friendship, relationships and family.

Although I thought this was an excellent representation of experiencing the loss of a loved one, I found the book itself hard to read. There was no real structure, which I guess could be part of the point, in being like grief itself, however, it made the reading experience more difficult than it needed to be. Although I engaged with the leading characters, Jen and Ed, I felt it didn’t have a ‘hook’ to keep me reading.

The writing is beautiful and very well structured, which allows for the impact of grief to be explored through many angles, however, the lack of structure and plot is what let it down for me.

For someone who has recently gone through the death of a loved one, this book was harrowing and hard to read in places, but nonetheless essential for its honest depiction of grief and loss. It was comforting in this respect and something I would recommend to others.

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What I read in June (2020)

Another month in lockdown has passed and we are also half way through the year! As usual, I will be sharing what I read this month and what I am currently reading. What have you read this month? Has anything stood out for you? Let me know!

Half a World Away, Mike Gayle

Rating: 4 out of 5.

This one was a real dark horse. It follows the lives of two siblings that have never met before, Kerry, who lives in a council estate and works as a cleaner and Noah, who lives in Primrose Hill and works as a barrister. They are two worlds apart but life suddenly brings them together. The novel explores the difficulties of an upbringing in care, forging new lost relationships and the pains of lost time. It was well written, heart-felt and incredibly readable.

The Ragged Trousered Philanthropists, Robert Tressell

Rating: 5 out of 5.

I had started reading this at the beginning of lockdown, alongside all the other books I was reading, hence why it took me so long. This is a work of political fiction that explores the livelihoods of a group of white, working class men at the turn of the twentieth century in Britain. It explores workplace exploitation, poverty and class in a way which is still so shockingly relevant to today. It resonated with me in more ways than one and I am very glad I have read it, although it is far from a light read.

The Shelf, Helly Acton (e-ARC)

Rating: 3 out of 5.

Refreshing and uplifting, this book made me laugh as well as cringe. Loosely based on the concept of the reality TV show, Love Island, Amy suddenly finds herself dumped on live TV. She is thrown together with a group of singles, as they each take part in a series of challenges to see who is crowned ‘The Keeper.’ I enjoyed reading this but found it quite cliche – but it had an element of feminism laced throughout that I liked.

All Men Want to Know Nina Bouraoui (e-Arc)

Rating: 4 out of 5.

This book was beautiful and unlike anything I had read before. Following the author’s life, this novel explores the pains of coming of age and being torn between identities from living in opposing continents: Europe and Africa. It is a work exploring identity, self reflection and sexuality, told in a lyrical and poetic fashion. It was strangely addictive to read and one that will always linger with me.

My Sister, the Serial Killer, Oyinkan Braithwaite

Rating: 3 out of 5.

I was really looking forward to reading this. It certainly had a uniqueness that I’ve never experienced before. It was a mix between dark humor and crime, told through the perspective of a Korede, who acts as an accomplice to her Sister, a ‘Serial Killer.’ It was gripping in places but really lacked a certain amount of depth it could have benefited from. I enjoyed the dark feel of the novel but ultimately feel that it lost its initial momentum.

The Truants, Kate Weinberg (e-ARC)

Rating: 4 out of 5.

I read this during a week in my life when I was experiencing insomnia, so who knows whether I truly made sense of it! However, I really enjoyed this and got stuck into the element of mystery at the heart of the novel. It’s a coming of age story with a unique twist. The characters were weird and wonderful which was what drew me to it. It had so much pace and suspense that I felt compelled to carry on reading. Jess’ strangely close relationship to her university tutor, is always weird, but it gets even weirder as the novel progresses…

The Sacrifice Indrajit Garai (Free e-book)

Rating: 3 out of 5.

A well written collection of short stories, focusing on the experience of human sacrifice and what it can mean for different relationships. This collection features the stories of Guillaume, a dairy farmer struggling to make ends meet, Matthew, a young boy who has a close attachment to a tree and Francois, an older man trying to make it as a writer whilst looking after his Grandson. The collection is harrowing and dark in places, but always countered with a sense of hope.

What I’m currently reading

If I Could Say Goodbye, Emma Cooper (e-Arc)

Due to be published in September, this is a book exploring the psychology of grief. The narration is told through Jen and her partner, Ed, as this experience impacts their relationship. I’m about half way through this and must admit, it has been a bit of a struggle so far. There’s no real plot and is a bit too heavy on the stream of consciousness for me, but I appreciate the attempt to portray the mental health implications of losing someone. As this has recently happened to me, I resonate with the elements of guilt the author is trying to portray through the characterisation of Jen. I’ll definitely read to the end but I’m not sure it will be one of my higher ratings!

A Tale of Two Cities, Charles Dickens

A novel centuries apart from the one above. This is a novel which explores the element of social upheaval wrought by the French Revolution in 1789, swinging between London and Paris. Dickens is full of his characteristic humor, portrays great characters and has a use of language which is lyrical, poetic, and informative. I love the feeling of change and upheaval that is being conveyed. I’m about 3/4 of the way through and very much enjoying it – I’ve always been fascinated by that part of history which helps!

What’s on my July radar?

I think I’m going to abandon having a TBR list as I feel so much pressure and disappointment when I look at it and realise I haven’t ticked off many. Instead I think I’ll be referring to it as a ‘radar’ as this feels more achievable. Sometimes I’m not in the mood to read anything from my list, and often discover new titles I want to read more.

So what’s on my radar for July? Definitely We Need to Talk About Race as I have very much been enjoying listening to the podcast and feel it will be a good introduction into exploring the racial history of Britain. Also An American Marriage, a novel I have wanted to read for a long time, and one I know has had great reviews. I’ve got a few e-ARC books to review as I’m trying to get my NetGalley feedback rating to 80%. Apart from that, I’m not going to list any more as I don’t want to pressure myself! Reading habits are so changeable so I don’t think it’s all that necessary to stick to TBR’s.

I hope you are all staying well and had a good reading month!

Violet xxx

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Book review: The Sacrifice

I have been pretty quiet this week due to multiple reasons. However, I’m back with another book review! Please note, The Sacrifice was kindly sent to me in an exchange for an honest review. I’ve never done a review of a short story collection so we’ll see how it goes!

Genres: Short story, fiction

Source: Free e-book

My rating: ★★★

Synopsis

The Sacrifice is a collection of short stories, written by Indrajit Garai, author of The Bridge of Little Jeremy. There are three stories in the collection, which all feature the exploration of human sacrifice and the strong bonds that hold family relationships together.

The Move, the first story in the collection, is about a dairy farmer in rural France who struggles to keep his business alive. Guillaume faces the real prospect of financial ruin as he tries to protect his son, eventually giving up everything to keep him safe.

The Listener, is a story told through the perspective of a young boy, Matthew, who tries to save his favourite tree from being chopped down. The tree is a source of comfort for the boy, in a time in his life where his home life is unstable, as his Mother begins a relationship with a new partner,

The final story is The Sacrifice, the tale of a struggling author who lives with his Grandson, Arthur. Francois has been struggling to make it as an author his whole life. As he begins a battle with rival publishers, he faces the real prospect of financial ruin. Often starving himself so that his Grandson can eat, he makes the ultimate sacrifice to keep Arthur safe.

The Review

The shining element in this collection was the sense of unity created between the three stories. Each story was very different in its feel and plot, however, they were all connected by a common theme – which is essential (in my opinion) for any short story collection.

All stories were united by the idea of human sacrifice, explored through various complex family relationships. Despite the suffering and darkness that is at the heart of all stories, there is always a sense of hope. I was left with the same feeling I got when I finished The Bridge of Little Jeremy and it is what Garai does best; despite everything, the darkness is always countered with a sense of hope, even against the worst circumstances.

“He saw, no matter how harsh his struggle for survival had become, there were still rewards of living on this earth.”

The Sacrifice, 148.

The exploration of human suffering and relationships across all stories makes the collection feel incredibly raw and real. It strikes at the most difficult elements that life can bring, but also maintains a sense of hope. As always by Garai, the writing is beautiful and I can quite easily get lost in the prose.

From reading The Bridge of Little Jeremy, I gather Garai likes to write about troubled characters, which features heavily in all these stories. Each character is facing some kind of hardship and strives to put it right. Garai also likes to explore the child persona which features in The Listener, as Matthew tries to do everything in his power to save a tree from being chopped down. But it isn’t just any tree, as it becomes his source of comfort in a time where he is experiencing anxiety and upheaval.

My favourite story in the collection was definitely The Sacrifice. Francois strive to make it as a writer and do everything to try and keep his Grandson thriving, and his story pays homage to the extent of human perseverance and struggle. For me, it was the most gripping as it had a sense of pace that the others lacked. I desperately wanted Francois to make it as a published author and receive the life he and his Grandson deserved, one free of the anxieties of financial hardship.

Despite the beauty of the writing, I struggled with The Move and The Listener, the first two stories in the collection. They both lacked a hook and reading them was a bit slow-going, as there was little drive and suspense to keep me reading. The Move redeemed itself slightly in the dramatic ending, however this was the only part that intrigued me. In this respect, I feel the first two stories were weaker than the last. They felt heavy and dense, with a definitive lack of direction.

All in all, I enjoyed reading this collection and really felt that all stories connected to each other. The language is beautiful and a joy to read but I felt the first two stories were a bit draining. However, I thoroughly enjoyed The Sacrifice, the last story, and think this is where the collection really excels. Definitely worth a read!

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Book Review: The Truants

The Truants is a coming of age story with a twist, telling the experience of Jess Walker’s first year as a student at the fictionalized University of East Anglia. Jess studies English Literature and enrolls herself on an Agatha Christie course, immediately finding herself enthralled by the subject, as well as the expert in the field, Professor Lorna Clay. Jess becomes friends with a group of uninitiated, carefree students, including falling for Alec, an ex student and current journalist.

Genres: Mystery, Suspense, Coming of Age, Literary Fiction

My rating: ★★★★

This book echoes the reverberated student scene of carefree days drinking in pub gardens and ignoring academic responsibilities. As the closeness of Jess’ relationship with Lorna unfolds, the mystery involving Alec starts to appear before the readers’ eyes.

Jess cannot help but be pulled in by the perplexing Alec. He is good looking, intelligent, but little does she know about his deeply troubled past. As a character, he is laced with toxicity, regret and past betrayal and takes it out on those who fall for him – a classic maverick disguised as a heart throb. Jess gets caught up in several disturbing love triangles, which serve to explore the realities of betrayal on a relationship and friendship basis. The lure of new love becomes her achilles’ heel as she is placed in the middle of a dark mystery of her own.

Something rather dark lurks beneath the seemingly picturesque portrayal of student life, which is discovered as the book progresses. Despite drawing so heavily on the works of Agatha Christie and her novels, this book is essentially its own mystery and a play on the psychology of relationships, seduction and betrayal. It combines a lot of different genres which I think is one of its selling points, it has elements of literary fiction, mystery and thriller, whilst being told within the coming of age paradigm. The feeling of suspense is naturally created early on in the book, which produces an unavoidable hook for the reader. The whole time I was reading I had a feeling of unease; but couldn’t help but read on. I was fascinated by the characters and wanted to see how everything would unfold.

I think the highlight of this book is in the complexity of the characters. The story only centers around a handful of individuals, but each are fundamentally flawed. This allows for the difficulties of coming of age to be realistically conveyed, with the exploration of problematic friendships and relationships. Jess, the protagonist, was particularly complex, and I was drawn to her insight. It is essentially a major portrayal of character development and exploring the dark incidents that lay within her experience at university.

That said, I did think the play on the mystery was to a certain extent cliche. Not being familiar with Agatha Christie’s writing, I can’t comment on the full exploration of this – and there may be things I missed. Critique’s and readers alike have drawn similarities between this and Donna Tartt’s The Secret History, being an avid fan of that novel, I fail to see the comparison aside from the theme of ‘dark academia.’ I found the language in this underdeveloped and simplistic at times, whereas Tartt’s writing is wonderfully crafted, with layers of intricacy. In some ways, I think this book tries too hard. I got the sense it was trying to aestheticize student suffering within the framework of academic life. There are many troubling scenes and dark elements to the book, some are explored well, but others rather flippantly.

However, I very much enjoyed reading this and would recommend it to anyone. It combines so many genres, is full of complex characters and a sense of unrelenting intrigue. It grabbed me from the start and left me hooked, for that alone I would say it is very commendable.

A big thank you to Net Galley and Bloomsbury Publishing for giving me an e-arc copy to review. Please note however, this does not influence my review in any way.

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Book Review: My Sister, the Serial Killer

I was looking forward to reading this after constantly eyeing it up on the shelves back when the bookshops were still open. The physical cover itself is striking but so is the title itself. What could be more ominous than knowing your sister is a serial killer?

Synopsis from Goodreads

My Sister, the Serial Killer is a blackly comic novel about how blood is thicker – and more difficult to get out of the carpet – than water…

When Korede’s dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what’s expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This’ll be the third boyfriend Ayoola’s dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede’s long been in love with him, and isn’t prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other…

Image: Amazon

Review ~ ★★★.5/★★★★★ 

Genres: Novel, satire, thriller, crime-fiction

This book caught my attention right from the offset. Even before starting to read it the premise seemed odd and strangely appealing.

The protagonist, Korede is fully aware of her sister, Ayoola’s tendencies to murder boyfriends. One night she’s called up and has to help dispose the body of her latest victim. The way she accepts it as part of daily life, is both comical and alluring. It makes you want to read the book to find out how Korede comes to terms with this herself and how it has become so normalised between them. No one else in the family knows about these events. Throughout the novel Korede becomes more worried about her sister and the potential next victim. The horrific events of Ayoola’s actions are told in such a matter of fact, down to earth way that I have never encountered before. I guess it’s meant to be a kind of dark humor, it definitely gets points for originality – I’ve never read a book like it and was taken aback (in a good way) by its approach.

The crime genre scene is usually dominated by British and American parameters, so it was refreshing to see an entirely different setting. The novel is set in Lagos, the capital of Nigeria, and is deeply embedded within its culture. Both sisters have also had a troubled upbringing, due to abuse from their father, however, this isn’t really explored until the final pages. I liked the main two characters but felt the novel doesn’t give you the chance to get to know them.

The chapters themselves are short and snappy and this gives a level of pace to the book which I really liked. Although it is a short book anyway, I ended up flying through the chapters. I liked the way it seemed to mirror the nature of Ayoola’s personality and the flip decisions she seemed to make.

The initial grab for this book is definitely there – it has an intriguing and original feel, which offers the potential for a truly gripping story, however, I found my attention dwindling about three quarters of the way through. I no longer felt the compulsion to read on, in the way I had done in the beginning.

Being a short novel it is naturally restricted by the amount of depth it can convey, but in this case, I think extending the novel would have turned it into something excellent. This book lost me in the lack of character development and background information. There are fleeting references to how life was with their father around, despite it having an evident influence on their lives. We are only really given an insight into this at the end, having it at the beginning in more depth, could have added far more weight to the characters and the story as a whole.

I felt as if things just happened tentatively, without any real depth or connection to a bigger picture. The novel starts with a bang and hooks the reader straight away, however, it allowed itself to trail off into nothingness. Nothing major happens, there are no turning points or dramatic events, it just kind of finishes. Therefore, I found it lost its initial suspense and appeal quite suddenly, which resulted in a disappointing reading experience.

Overall, I liked the premise of this book and its originality, and certainly enjoyed its feel, which was what kept me reading. I liked the protagonist, Korede and her sister, Ayoola, but just wish I could have known more about them. The novel lacked depth and lost momentum, allowing little room for the darkly comical and complex story it could have been. It’s definitely worth a read, but don’t expect it to blow you away.

Cover image: Kristian Hammerstad for New Statesman

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Book review: All Men Want to Know (ARC)

Firstly, many thanks to Penguin UK and NetGalley for letting me review this book in advance, as always, this does not influence my review in any way. Just to let you know, All Men Want to Know is due to be published 6 August, 2020. You can pre order copies from the usual places!

All Men Want to Know

Author: Nina Bouraoui

Genres: Women’s literary fiction, auto-fiction, lesbian literature

Publication date: 6 August, 2020

My rating: ★★★★

This is a deeply moving work of “auto-fiction” told through the life experiences of its author, Nina Bouraoui. It combines the authors real life experiences growing up, but is a work of literary fiction in style and scope. Nina has lived a torn life, and one situated between two continents; Africa and Europe. She spent most of her childhood in Algeria where her Father was from before her Mother chose to move to Paris, because of the outbreak of Civil War.  This toing and froing between two cultures, means that Nina struggles to come to terms with her identity, “France is an outfit I wear: Algeria is my skin, exposed to the sun and storms.” 

The entire novel is told through vivid, first person narration. This may put some readers off, as there’s no typical story structure. However, I loved the sense of depth this created. The prose often reads as part poetry, part inner monologue of Nina’s thoughts, feelings and memories. I found it a harrowing read, as Nina never shies away from the honesty of her experience and the pain she has endured. In this day and age, we are so used to seeing peoples’ ‘real life’ experience through a filtered lens which often bears no reality, however, this novel strips it back to the bare bones. Thus, making it a moving depiction of the difficulties of coming of age, accepting oneself and learning how to live. It is a powerful portrayal of inner tournaments and the pain people go through during the process of accepting themselves.

Despite the novel lacking a traditional structure – it is divided loosely into four sections of memory which are used to account for the different periods in Nina’s life. These are: knowing, remembering, becoming and being. Each comment on her life at its different stages – from living in Algeria and witnessing its turbulence as a country, to beginning her new, independent life in Paris at the age of eighteen and toying with her sexuality. Due to this dual upbringing across continents – Nina grapples with her sexuality –  she has been attracted to women for most of her life, however, accepting this has been her biggest struggle, “I want to know who I am, what I am made of, what I can hope for…” 

Image: Algeria skyline via Pixabay

Homosexuality is still illegal in Algeria today, which relates to the difficulties of not just Nina’s own acceptance of herself, but the society in which she grew up. In Paris, she feels freer to explore this, due to living in a more accepting, Western culture. She acknowledges this cultural and personal struggle vividly, “I’m a victim of my own homophobia” in which the reader is a witness, as Nina documents her first difficult experiences with love and the initial anxieties these bring. 

Knowing, draws on Nina’s past experience in Algeria, as she accounts traumatic experiences of witnessing her Mother being sexually assaulted, and depicts the variable climate of Algeria which was going through civil unrest. I couldn’t help but feel this exposure must have impacted Nina’s conception of herself, which then impacted her attitudes towards her sexuality and ability to form relationships with women. She had to get over her own boundaries before those imposed on her from others. 

Remembering, documents visions of her past which are mainly in Algeria. Despite the country’s beauty she remembers that, “violence is etched into the land, unending violence” and this struggle is symbolic in her own boundaries to self acceptance. Becoming, is the most ‘present’ aspect of this autobiography, as it follows Nina’s life as a young adult, living in Paris. She frequents a local, lesbian nightclub in the hope of finding love with other women. This is the most interesting part of the book, as it shows how her past struggles and different cultural upbringings shape her identity and coming to terms with herself. She goes up and down like a yo-yo between being proud of her sexuality and path in life, to feeling disgusted, “I’m nothing but a faggot” which demonstrates the tumultuous rage often experienced with coming of age sexuality. But, with an added distressing aspect – her home country of Algeria, would imprison her for displaying her love for women. 

Image: Paris nightlife via Pixabay

Being looks back on her life. This element shows herself starting to accept her identity and letting go of the past. She appears to have found happiness and self love, as a relationship with another woman blooms, “I am the same but I’ve changed, I’ve let go, I’m floating free on this waking dream….” The kind of self acceptance Nina finds, was relieving to read, after Nina’s continuous periods of self doubt. Finally, she appears to be content. 

A stunning, autobiographical portrayal of the inner, psychological battle. Torn between two cultures and two ways of living, this documents Nina’s transition between hiding from the world and herself, and embracing it. Harrowing and dark at times, but also uplifting and beautiful.

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Book Review: The Shelf (ARC)

First of all, a huge thank you to NetGalley and Bonnier Books UK for sending me an advanced copy of this book – but please note, this doesn’t influence my review. The Shelf is due to be published on 9th July, 2020. It is currently available for pre-order via Amazon and Waterstones.

Synopsis

Amy suddenly has to prepare herself for a surprise holiday with her boyfriend. He’s even ordered a limo to pick them up. Blindfolded, Amy can barely contain herself for what she thinks is going to be a proposal. However, a dreamy vision of a proposal holiday is soon turned into a nightmare – as Amy realises she has been left alone on a TV set.  Jamie has taken her here to dump her. As if a break up isn’t hard enough, Jamie makes sure Amy is as publicly embarrassed as he can. 

Amy and five other dumped women soon discover they are on a new reality TV show called ‘The Shelf.’ The goal is to win the program through a series of challenges that prove their compatibility and motherly instincts. By a public vote, one of them will be crowned The Keeper. An inherently sexist premise of course, but I gathered this was the point.

Review

Image: via Helly Acton

Title: The Shelf

Author: Helly Acton

Genre: Women’s Fiction

My rating: ★★★☆☆

With many parallels to Love Island – The Shelf puts its female contestants through a hard time, with constant rolling social media coverage featuring the public’s opinion of each candidate. Winning the public vote is harder than it seems. Will the women realise they are better off without their exes who had the nerve to dump them on a reality TV show? Each candidate is put through a series of challenges designed to test them – from plastic babies to hosting the perfect tea party.

This is a compelling, re-interpretation of the ‘chick-lit’ genre. Unlike the standard women’s romance novel that results in the leading female character happily in love with her dream man, this novel illustrates the importance of a happy ending that doesn’t have to depend on finding love – but loving yourself.

Amy, the protagonist, has put herself through two years of slog in her relationship with Jamie, endlessly hoping that he would pop the question. She had grown used to his taunts about her body, her neediness and other ‘faults,’ but had placed them to one side in the hope they would get married and have a happy future. Throughout this time, she had lost parts of herself – it takes the entire duration of the novel for her to realise this.

Single over thirty is like an illness that’s too awkward and depressing to talk about.”

Instead of aiming to become the male ideal embodied by ‘The Keeper,’ she decides to portray an important message to women. That you are always enough on your own, and you don’t need anyone else (but especially a man) to complete you. For me, this is where the important, feminist message comes across. In having a character like Amy as the protagonist, the novel really thrusts to the forefront the significance of women being their own person and not succumbing to societal pressures.

Amy is the modern day Bridget Jones with an essential twist, she ditches the yo-yo diets, marriage expectations, and the fairytale Mr Darcy, replacing these with a new appreciation of herself and living life the way she wants to. I found this feminist take incredibley refreshing and much needed in this social media driven age, where everything is about women comparing themselves to others. It is so easy to get sucked into the highlight reels of others, that we forget to be ourselves. And this is exactly what the novel is commenting on.

Image: alison rachel via Pinterest

Life on a reality TV show is peppered with the glare of social media all over the contestants, each are judged 24/7 by the timelines fuelled by the public. The setting is incredibly similar to Love Island. If I’m honest I found some of the similarities, such as the baby challenge, very cliche, which detracted from the novel’s more poignant message. Although I enjoyed the read, even laughing out loud from some of Amy’s comical one liners, I did find the plot predictable from the start. I think basing it on the parameters of Love Island, meant it was bound to be predictable in some ways.

The show is dominated by old fashioned, male chauvinists who believe women should still be a 1950s housewife, much to most of the contestants dismay.

“Selfish Jackie! Distant Gemma! Bitter Kathy! Desperate Amy! Boring Hattie! And last but not least, Easy Lauren!”

However, having a lead character like Amy is central to this book as it goes against the very grain that the TV show setting creates. Amy does not let herself be lured into society’s pressures on women – but uses the experience to go against this, and against what she previously thought her life should value. This is a part of the book that I really liked. Amy’s strength of character and likeability really drives the novel and reveals its best parts and the central message to women.

“I am my own keeper…Be your own keeper. Each and every one of you.”

Above all, I admire this book because it’s message is an imperative one that puts contemporary feminism at the forefront of the social media, digital age. Amy goes through a journey of self discovery and realises she doesn’t need a man to make her happy. The societal pressures on getting married and having children is a false one, which can distract women from being their best selves. This ideal is often glamorized in the romance genre – I am very thankful this book did the opposite.

This book is different to anything I usually read but it certainly ticked a lot of boxes. It made me laugh out loud, I loved the main character, and appreciated the important message it conveys to women about self love. However, it didn’t blow me away, because I found the plot quite predictable and cliche. The ending was also disappointing and I was left wanting to know more. That said, I definitely enjoyed reading this book and was drawn in by the initial strange events when Amy realises she is not, in fact, going on a dreamy romantic holiday.

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Book Review: Half a World Away

I have been a bit absent with book reviews – they seem a bit trivial at the moment with everything going on. But I guess people still want to read! But I’m back with another good one! I had high expectations for this and wasn’t disappointed.

Synopsis from Goodreads

“Strangers living worlds apart.
Strangers with nothing in common.

But it wasn’t always that way…

Kerry Hayes is single mum, living on a tough south London estate. She provides for her son by cleaning houses she could never hope to afford. Taken into care as a child, Kerry cannot ever forget her past.

Noah Martineau is a successful barrister with a beautiful wife, daughter and home in fashionable Primrose Hill. Adopted as a child, Noah always looks forward, never back.

When Kerry reaches out to the sibling she lost on the day they were torn apart as children, she sets in motion a chain of events that will have life-changing consequences for them both.”

Review

Title: Half a World Away

Author: Mike Gayle

Genres: Fiction, urban fiction, domestic fiction

My rating: ★★★★

Half a World Away is narrated between two protagonists – Kerry, who lives in a tower block in south London, and Noah who has a large house in Primrose Hill. I think this dual narration really serves to reinforce the dividing lines between them.

Kerry and her son, Kian, live their day to day lives struggling to make ends meet. Kerry works long hours cleaning wealthy houses in London, and is a full time, single Mum. The reader soon finds out that Kerry spent a significant amount of time in care, after her Mother struggled with parenting and various forms of addiction.

As a young child, Kerry spent most of her childhood caring for her younger brother, Noah. However, they were separated when Noah was adopted, whilst Kerry grew up in a care home. Ever since, Kerry has been longing for the day when they can reunite. From the age of eighteen, the age where legally you are allowed to request contact with your birth family, she writes Noah letters in the hope he will make contact with her. These letters are scattered throughout the book and add a certain rawness to Kerry’s emotions, by illustrating her life long hope of having her brother in her life again.

Noah’s life is very different. Although he’s adopted, he never really faces up to his former past. There is a lot he doesn’t know about his previous circumstances, and spends a lot of time shying away from it. He is adopted into a middle-class, privileged family and reaps the benefits of this lifestyle. As a barrister his life has gone in the opposite direction in comparison to his sister, Kerry. One day a letter from Kerry manages to reach him directly, which turns his world upside down. He never knew he had a sister and now he has to decide whether to recover his past life. Torn between a relationship breakdown with his wife, fraught conversations with his parents about his birth family, and his own personal struggles, Noah has to make a decision about the direction of the next stage in his life.

Image: Forbes. Street in Primrose Hill, London.

I thought this book was incredibly clever as it embodies the dilemma’s adopted, and care leavers face when deciding whether they want to contact their birth family. I particularly resonated with the feelings of both characters as I was adopted myself. I definitely empathized with both Kerry and Noah, as each character swung back and forth between wanting to know about their past, and worrying they’ll find out something they don’t want to hear.

Additionally, it explores the concept of “family” and what it really means. For Noah, family is definitely not as much about blood relations but who raises you – nonetheless, this doesn’t completely stifle his curiosity. For Kerry, she had always longed for that contact with her brother which suggests she felt that connection to a blood relative. It’s different for everybody, but the book raises the questions a person has to go through when wanting to find out about their birth family. It can put adoptive parents in an awkward place – luckily, Noah’s parents are very understanding and encourage him to learn more about his past.

Above all, class and difference in opportunity is at the heart of this book which highlights how time in care can influence your future outcomes. For most care leavers, Kerry’s situation is more of the norm. Care leavers are more likely to develop mental health issues, turn to addictive substances, live in poverty and are less likely to attend university. Having characters which are two polar opposites – really symbolizes this divide in opportunity that care leavers face. With the dual narration, the reader really gets an in depth insight into how different each siblings lives really are.

They also contrast as they had different fathers but shared the same, white mother. Kerry is a white woman, whilst Noah’s father was a black man. When the narration is told through Noah, we get an insight into his experience of this and difficult conversations he has had, having grown up with a white adopted family. People often had their queries over the family situation and wanted to know more. However, the way Gayle intertwines issues of class, race and disruption in early life – really reinforces the idea that society is naturally unequal. This is an ongoing, brutal reality of the modern world and symbolized so eloquently by paralleling two characters from such different backgrounds.

Image: Joe Newman for the Daily Mail. South London tower block.

Kerry’s perspective is an interesting one – she worries about meeting up with her brother because she lives in a council estate, doesn’t have much money and has ‘scruffy clothes.’ Kian is exposed to bullying at school because unlike his peers, he doesn’t have the latest trainers or PlayStation game. Her flat is tiny, but Kerry has put her heart and soul into is over the years to make it as nice as possible. Differences between the two siblings become eroded over the course of the book as they discover how similar they really are as people.

This book is laced with sadness (which I can’t go into for giving the plot away) but its execution highlights the value of time and how precious it is. Nearly twenty years have passed between Noah and Kerry, and the reader really hopes they can rekindle their relationship. But like all care and adoption situations, it’s awkward at first, messy and complicated. This is demonstrated so honestly in this book and I really take my hat off to Gayle, as it is hard to portray the realities of these feelings in a novel.

I loved this book, as it was easy to read but was a poignant story told with honesty and a huge amount of relatability. I think this is the first adult novel I’ve read that looks at the impact of being in care, and I really appreciate it just for doing that alone. The characters are crafted so well, each narration is told in such a down to earth and chatty style, that as a reader, I really felt I knew them.

However, it’s not a ‘beautiful’ novel as such, there’s no messing about. As someone who loves a bit of literary fiction and use of flowery language – there is none of this here. The language and prose is nothing out of the ordinary. Rather, maybe the rawness of the language is the entire point. Emotions are highly charged, and it would be wrong to cover these in littered metaphors and incomprehensible symbolism. Gayle gets to the point, and rightly so.

An honest, down to earth, and heartfelt story which illustrates the variability of outcomes that result from time spent in care, and having a disturbed upbringing. This book is littered with warmth and uplift but simultaneously, endless sadness and regret. It will definitely move you and re-asses your value of time, loved ones and family relationships.

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Book Review: Airhead ~ The Imperfect Art of Making News

Image: Deadline

Emily Maitlis is rather topical in the UK at the moment because of her framing of the Dominic Cummings debate on Newsnight. Maitlis opened the current affairs program with,

“…He made those who struggled to keep the rules feel like fools and has allowed many more to assume the can now flout them.

The Prime Minister knows all this but despite the resignation of one minister, growing unease from his back benchers, the dramatic early warning from the polls and a deep national disquiet – Boris Johnson has chosen to ignore it…    

(You can see the full opening statement here.) In my opinion, her statement did not break “impartiality” regulations but there we go, some are always bound to think otherwise.

However, funnily enough I was actually reading her book before this started. I’ve always admired Emily Maitlis for her approach to broadcasting and this was largely inspired by her brilliant interview with Prince Andrew during the Epstein scandal last year. As someone who wants to go into journalism, I couldn’t wait to read her book.

Review

Title: Airhead: The Imperfect Art of Making News

Author: Emily Maitlis, British journalist and presenter of Newsnight

Genre: Non-fiction, biography

My rating: ★★★☆☆

Maitlis’ Airhead is premised as an autobiography of her experience as one of the UK’s leading British broadcasters. In hosting the current affairs program, Newsnight, she is often at the forefront of breaking news. This book documents a range of interviews she has conducted, from President Donald Trump, to the Dalai Lama. Each chapter is structured as a specific interview, or peppered with a particular experience in her career – such as when the BBC got arrested in Cuba, or when she took her twelve year old son to see the Chippendale’s in a Las Vegas strip show.

Although the interviews were interesting to read, I found they were largely driven by pure narrative, and each chapter had the same structure and format. In a sense, it was quite repetitive and lacked substance. Some chapters were better than others, and I did enjoy reading her experience as the interviewer – one that stands out is the interview with former British Prime Minister, Theresa May, days after the Grenfell tower tragedy. Her writing reveals to the reader that indeed, no interview is ever perfect and a lot of the time, due to constraints they are haphazardly glued together in the moment, for the purpose of fulfilling the “breaking news” agenda.

Before reading this I thought it would focus more on the ins and outs of news making and the philosophies of journalism itself. By this, I mean who does news making aim to please, the morals and ethics of breaking news reporting, and how instant reporting via social media has undergone a revolution in recent years. Also, the impact that breaking news has on history making and our conception of events. These are all things Maitlis has been in the thick of over the years, and I was therefore, surprised they weren’t really discussed. Perhaps I expected too much?

Maitlis integrates some of this ever so slightly, but only in the final chapter,

“A huge amount of thought goes into what we do. Interpreting moments of history whilst they are still unfolding is both deeply rewarding and endlessly challenging. Television news is messy. It gets things wrong. It is imperfect – sometimes laughably so – and sometimes you just nail it.”

Emily Maitlis, Airhead

I felt that she had saved the best until last – this reflection on the art of making news should have framed the entire book, and she could have gone deeper into this and been more selective with the amount of interviews included.

The book is marketed as an “autobiography” but it certainly doesn’t read like one, we don’t receive details of her early life, childhood, or how she got into journalism, just snapshots of favourite moments in her career that when reading, feels more like a diary entry. Don’t get me wrong, the interviews were interesting and funny at times, but I found the book lacked depth she could easily convey, considering her remarkable career.

There’s a lot to be said about news making and the ethics of broadcasting, and Maitlis is one of the best people to discuss it, but it’s a shame she didn’t make this more of a feature, perhaps she is saving it for another title!

All in all, this is an interesting book and a worthwhile read for anyone that is interested in broadcast journalism and wants to read about it from her perspective. But don’t expect too much from the sub title, “the imperfect art of making news” as this isn’t given the attention it deserves.

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What I read in May (2020)

Another month in isolation brings another months worth of reading to an end! I have read a variety of things and pretty much loved everything. I’m starting to think maybe I need to be more critical…!? I found myself feeling drawn to non-fiction which isn’t the norm for me, but nonetheless, the month was still dominated by fiction.

The Library of the Lost and Found, Phaedra Patrick ★★★★

It feels like a life time ago that I read this but it was only at the start of the month! A lovely, heart warming story about a librarian who attempts to discover the truth about her family’s past. Uplifting and reviving in a time of need! And if you like books about books, stories and words, you’ll love this.

Re read: Normal People, Sally Rooney ★★★☆☆

The beginning (and most of May it seems) has been dominated by the hype around Normal People. I decided to re-read this in the hope of liking it more, again, I was left with the same feeling I got the first time round. Average story documenting a strange kind of relationship – something about it doesn’t sit with me well. A nice little coming of age novel, but one that doesn’t deserve the hype, nor the literary credibility.

The Bullet Journal Method, Ryder Carroll ★★★★

I enjoyed this very much. To coincide with my increasing habit of journalling during isolation, I decided to read the definitive bullet journal guide. I found it very informative, motivating and easy to read and would recommend it to anyone who is looking to learn more about the benefits of journalling to manage anxiety. It also contains useful diagrams and examples of how to lay out your journal.

The Bridge of Little Jeremy, Indrajit Garai ★★★★

I was kindly sent a copy of this and really feel in love with the story. It is one of the most beautifully written stories I have read and I feel in love with the language. It’s told through the perspective of a twelve year old boy living in Paris, trying to save his Mother from going into financial ruin. It really tugs at your heart strings, but in all the best places. Above all, it is a story about the love and appreciation for art and seeing the beauty in the everyday.

Frozen Butterflies, Simona Grossi ★★★★

This was weird story, it had such a lingering weirdness that I couldn’t bring myself to write a review about it on my blog. The characters were directionless, possessive and obsessive and I found the relationships that Susan (the protagonist) perused worrying and strange. However, I found myself addicted to the book and couldn’t stop reading it. The discovery of a stranger’s journal starts the whole thing off and gives the reader the hook they need to read the novel. Intriguing is one word to describe it for sure.

Hot Milk, Deborah Levy ★★★★★ 

Arguably the best book I have read this year, I loved everything about it – from the story, the protagonist, Sofia, and the general ‘feeling’ the book left me with. It’s descriptive prose made me notice even the small things in my day to day life, and I felt I could immediately read it again. Set in Spain, the story follows the journey of post-graduate, restless Sofia, as she takes her mother to Spain in the hope of curing her various ailments. It is essentially a coming of age novel, but told with such sincerity and depth that it kind of blew me away.

In the Dark, Soft Earth, Frank Watson (ARC, due to be published July 2020) ★★★★

I was kindly sent this from the Plum White Press. This collection of poems explores many elements, from love, relationships, desire, to an appreciation of nature and our place in the world, but essentially draws upon the idea that everything we experience has an ancient history. The language is simple, but charged with pivotal imagery and sentiment. The images created are beautiful, and a hypnotic ode to the human experience.

Airhead: The Imperfect Art of Making News, Emily Maitlis ★★★☆☆

I found this book enjoyable, interesting and funny at times. As someone who is interested in journalism and admires Emily Maitlis for her wit and manner when interviewing, I was excited to read it. However, I felt it lacked depth. It reads as a snapshot diary documenting various interviews, but offering little in depth insight into the philosophies behind news-making and journalism. Maybe I expected to much from it, but I felt she could have gone deeper as she certainly has the capabilities to do so. However, still an interesting read.

Reading stats

Average rating – 3.8

Books read – 8

Pages read – 2, 276

What I’m currently reading

I’m currently still reading The Ragged Trousered Philanthropists but I’m so close to finishing! I’ve been reading it in-between the sixteen or so other books I have read for the past couple of months, hence why it seems like I’ve been a bit slow. I have to read it in small chunks as I’m trying to really take it in. I am actually writing a piece on it for another publication so I want to read thoroughly. I must admit, there were a few sections in the middle that dragged somewhat, but I’m currently on a bit that’s really good! I think it will be a book that ends up having a significant impact on me and the way I think.

Final thoughts

I’m actually feeling very happy with myself in terms of reading. For three years whilst I was at university, I just didn’t find the time to read for pleasure and I am so pleased that this is something I am able to do. COVID has helped obviously, but I think I would be reading just as much anyway. This month I reached 30 books read so far this year which is crazy! I sent myself a target of 50 at the start of the year and thought that was ambitious!

I’ve had a couple of really great comments and feedback recently on my reviews – saying they are really in depth and thought out which is wonderful to hear. However, it has got me thinking, am I perhaps writing reviews which are too in depth? Would it be better to adopt more of a chatty, informal style or still stick to the ‘rigorous’ type approach. I’ve tried doing the short and snappy style which I enjoy, but sometimes it doesn’t feel right for certain books. If you have any thoughts on this, please let me know!

Happy reading and best wishes as always,

Violet xxx

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